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+ Divided into three sections, each of which entirely different yet intrinsically intertwined, balance my thoughts, actions and perceptions. Each link provides some sort of defining characteristic that I hope to emulate, whether it is perceived talent, philosophy, action or overall direction. Some links offer a deep abyss of content, continuously updated and always refreshing. Others offer insight, tutorials and tools to aide in steady motivation through continual production. Still others offer a history of certain ideas, events and places that help to pour the foundation for further research, exploration and evolution. More offer to contradict the mainstream through alternative means of conception, production and critique. Different means of fabrication with different tools and approaches, in keeping with the same methodologies, help to further my understanding of design as an entity, ever changing, yet essentially stable.

+ Joy | Predock | Ronin | Rose | Mockbee | Pugh-Scarpa | Williams-Tsien | Herzog-de Meuron

++ Along with the workload spanning a wide swathe of the design field, I find time to focus on yet another, more ephemeral area of creativity. The art of mixing records. While living in San Francisco I saw potential in the craft, and with some help from a friend dove head first into the scene. Having played the guitar and piano for several years prior, this new musical technique seemed ideal. Having tightened my musical senses, mixing spread the act of just listening to a track to disecting it into parts. Defining each beat, identifying the different stratums of sound and concentrating on the weaving of additional layers of subtlety within are all essential to not only understanding music, but vital in manipulating it. Mixing has an intrinsic correlation to architecture as well, from creating a foundation, specifying materiality, shaping volume (spacial and intensity), to defining circulation, transistion and intensity. Mixing has given me a cathartic release from the busy strains of the architectural profession, while subconciously informing me of those key elements that aide in creating good design.

++ Beatport | Missingtoof | Big Stereo | Synthetic Rocks | Trash Menagerie | The Hype Machine | DJ Forums | Mad Decent

+++ In an attempt to streamline a lifestyle dedicated to habitating as close as possible to the center of the urban core, I choose to ride a bicycle instead of owning a car. Having a hands on relationship with this alternative means of transportation helps me to appreciate the work that goes into maintaining, utilizing and living a car-free life. A bicycle is a simple machine, having relatively never changed in its existance, yet it yields a surprisingly modern output when compared to a typical city automobile. This, in combination with the monetary savings and health benefits, severely outweigh any inclination to own any sort of motor vehicle. Battling with traffic, weather and the many city-borne obstacles acts as a natural boost, heightening almost every sensory perception. Using one’s muscle to power a vehicle with the superior efficiency and comparable output, while having the ability to fix any problem that may occur provide a great sense of accomplishment, even in the simplest of commutes.

+++ Sheldon Brown | Park Tools | Craigslist | National Registry | Stolen Bike Registry | NAHBS | The ACA | Chicago FG


After graduating from Drury University with an accredited degree in architecture, I ventured to the west, San Francisco, in order to get a better grasp on higher-end residential design. Finding work with John Maniscalco Architecture, a small firm in the Haight-Ashbury district allowed me to work as part of a team on large scale modern residential work spanning throughout the Bay Area California. John Maniscalco’s office provided an environment where I developed a finer design sensibility, spacial sense and understanding of the many architectural and construction issues that prevail in high-end modern solutions. The firm’s small size required my attention from conception through construction, including presentation drawings, schematic design sets, planning / DBI submissions and bid sets. I showed an eagerness to learn with a good attitude and a careful, conscientious sensibility, with a willingness to jump into the many roles required within a smaller office environment. With this new-found knowledge of the architectural trade and an already established, acute attention to graphic design, I was able to thrive at John Maniscalco Architecture for just over 2 years.

After my time with John Maniscalco Architecture, I decided to look into larger, corporate firms, dealing with many more aspects of the architectural community. Studios Architecture, in San Francisco, offered the ideal position for my transition. Specializing in more civic, cultural and overall larger scale projects, I was able to further my education in architecture. Along with new projects, I established new relationships, learning the essential art of networking, as well as picking up new techniques in design through new technologies and procedures. Autodesk Revit, having been established within Studios only a few months prior, became a priority to learn to utilize. My immediate responsibilities within the firm consisted of assisting in the development of design concepts, developing details, researching products and using Revit to develop 3-dimensional design presentations as well as construction documents.

After close to a year with Studios Architecture and a relocation to Chicago, I was given the opportunity to work as a freelance graphic designer and ultimately landing a position at Epstein Architects. Epstein gave me a greater knowledge of construction and its documentation process through several projects, including an NYC condo, a CHI hotel and an Air Force detention center.

The down-turn in the economy during the fall of 2008 and winter of 2009 brought many hard decisions. Architecture was hit hard and a severe drought ensued. A strange thing happened though, with the drastic change in the Architectural climate, a inverse proportion of freelance opportunities arose in the world of graphic design. I took the opportunity to push forward with my design knowledge and was able to secure several independent jobs that kept me afloat during the tough times.

A cold-call in the spring of 2009 to Studios Architecture in San Francisco changed my circumstances for the better. I was brought back to the same team, the same job and the same office to pick up where I left off; the design of Cal-Berkeley’s Memorial football stadium. I was fortunate to be a part of the schematic design, design development, construction documentation and construction administration phase for the stadium, which will wrap up in time for Opening Day in September of 2012.


Education

Drury University - Springfield, MO | Fall 1999 - Spring 2004 | Bachelor’s Of Architecture


Employment

Studios Architecture - San Francisco, CA | Summer 2009 - Present
Design development, planning documentation, digital presentation, construction documentation, construction administration
University of California Berkeley - Memorial Football Stadium (REVIT)


Freelance Graphic Design - Chicago, IL | Winter 2009 - Summer 2009
Web design, Image identity, Business collateral


Epstein - Chicago, IL | Spring 2008 - Winter 2009
Design development, digital presentation, construction documentation, graphic design
Port Imperial Condominium - NYC, Swissotel - Chicago, Scott Air Force Base Security/Operations detention center, Scott Air Force Children’s Development Center- Belleville, IL, Next Designs -Motorola graphics

Epstein Reference A | Epstein Reference B


Freelance Graphic Design - Chicago, IL | Summer 2007 - Spring 2008
Web design, Image identity, Business collateral


Studios Architecture - San Francisco, CA | Fall 2006 - Summer 2007
Design development, planning documentation, digital presentation
University of California Berkeley - Student Athlete High Performance Center (REVIT)

Studios Reference


John Maniscalco Architecture - San Francisco, CA | Summer 2004 - Fall 2006
DD, planning documentation, building permit coor., structural coor., digital presentation, CAD, marketing, Title 24
Laguna Beach, Potrero Hill, Bernal Heights, Kentfield, Cole Valley, Noe Valley, Haight Ashbury, Mission

JM Architecture Reference


Spencer Architects - Springfield, MO | Summer 2003 - Summer 2004
Digital presentation, rendering, CAD, structural coor., marketing
Burrell Children Health Center, Kingsway United Methodist Church, Spencer Residence, Schibold Residence


Spaid Associates - Saint Louis, MO | Summer 2000 - Winter 2001
Digital & hand rendering, CAD, marketing
Tadao Ando Pulitzer Museum, University of MO - Rolla, Saint Louis Art Museum, Maplewood HS, Jewel Box, Bass Pro Shops


Conceptualized | Populated | Destroyed | Fixed | Tweaked | Maintained | Realized by Me, Jared. Nice to meet you.